Fashionable — a word with which vogue is obsessed. Yet different words matter all as a lot: Official Valentino Shoes magnificence, allure, emotion, desire. While not immune to the pull of the previous, Pierpaolo Piccioli refuses to sacrifice the latter in its pursuit. Fortunate for the couture, fortunate for style in general, and really fortunate for the house’s couture shoppers. Because the valentino shoes online assortment Piccioli showed on Wednesday evening, the last major show of the spring 2018 season, conjured another phrase: perfection.
Piccioli began his work on the collection ruminating on the way forward for haute. His conclusion, recounted during a preview: "That future arises from his previous. The origins, the essence of couture, the ceremonies, the rituals, the process."
And the individuals. Along with his typical, artful mood board adorned with inspirational imagery, this season Piccioli added two extra boards. One featured seventy two envelopes, their flaps opened to semi-reveal the hand-written notes inside, and the other an enormous rendering of the valentino shoes online "V," its lines shaped from 72 signatures in black, both written by the craftspeople of Official Valentino Shoes’s couture ateliers. In the case of the notes, Piccioli asked everyone to put in writing something about the importance of the couture. Just before the present, all of them had looks named in their honor. "The folks of couture, the arms, they make it work," he said.
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Piccioli challenged his staff to take action by invoking fully the iconography of the genre — ruffles, bows, colours, feathers, he ran by means of the litany — a way referential however not reverential. And so they did, the consequence a rare, seamless fusion of flamboyance, grace and excessive chic.
Piccioli established the timeline connectivity from the highest, literally: a genius, giant, ultra-haute blue feather hat by Philip Treacy (certainly one of a number of such pastel wonders) topped the primary look out: a ruffled mustard faille cape over an embroidered tank and wool trousers. This look telegraphed the primary proportion, generous, and palette, daring. Thus adopted lengthy dresses, grand gowns, sweeping capes, relaxed coats. Tailor-made appears to be like featured blouses with oversize bows on the shoulder or waist; out-to-there tent evening looks came short, in fuchsia silk, and lengthy, in a giant anemone print.
As for Piccioli’s color sense, who knew? Not that he’s shied away up to now, but right here he exhibited a beforehand unseen audacity: lilac blouse/deep purple skirt/yellow sash; gold opera coat/fuchsia high/purple trousers/blue gloves. These never overwhelmed, as Piccioli balanced the lineup with smooth diaphanous neutrals, in beiges and smooth gold, and naturally the essential shot of black, including an incredible double-layer coat in cashmere.
None if it reinvented the haute wheel. Moderately, it took that wheel in all its familiarity, revered the template and fearlessly reimagined its possibilities. And it took us along for the joy ride.
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